FLORA: A woman living under "Kafala system"
ุงูุฑุฃ ุจุงููุบุฉ ุงูุนุฑุจูุฉ ุฃุฏูุงู
FLORA
On a Sunday morning, Flora met her older sister Maria, and her friends Rita, Patricia, and Agnes among other women coming from Kenya, Sierra Leone, Ethiopia and Nigeria to the church in Burj Hammoud. They spend their time together singing, laughing, praying and discussing different topics, from racism to work, religion and their lives as migrant women working and living in Lebanon.
Flora opens up about her life, over some 15 years ago, she met her belated husband who moved to Lebanon with a working visa through an agency,
โI came here with my husband, it was hard, but we learned to adapt. We believe that with time, no matter what happens in life, everything will be okayโ
They had two daughters, her eldest went to Beth Aleph school, a free kindergarten school for migrant children in Ashrafieh. However, due to the impossibility of registering the kids at a public school, and the high fees of private ones, Flora had to send her daughters back to Africa so they could attend school. Her husband passed away a few years ago, since then she has been sustaining her family by working several jobs, โI have been struggling, and it hasnโt been easy for me especially with the current situation in Lebanon. People donโt pay like before, and Iโm all on my own. I have to feed my daughters, to make sure they have everything they need and that they go to school. Also, I have to pay the school fees on a monthly basis.โ
A portrait of Flora who decided to be anonymous.
The two sisters holding hands.
Maria, her older sister, who also decided to be anonymous.
Maria reminisces about her early time in Lebanon, โwe used to get paid in fresh dollars, but now we arenโt able to do anything with the current crisis, we have to remain strong.โ Migrant workers face racial discrimination and exclusion from Lebanese labor laws.
Another migrant woman, who preferred to remain anonymous, explains that today independent workers have to constantly negotiate their prices and sometimes people donโt even want to pay 5$ per hour, while they need to pay rent, transportation, and food to sustain themselves, โI donโt have the same rights as Lebanese people, so nothing is easy. This is one of the many problems we, migrants, are going through. I am an independent woman and I have to work very hard to sustain my family and myself.โ
Flora concludes: โThe economic crisis is making everybodyโs life hard, and thereโs racism as well, but we turn our deaf ears to it.โ โWhat else can we do?โ Asks Maria, โYou canโt change the old generationโs mentality, itโs everywhere not only in Lebanon, but not all people are racists. We believe in God, and we believe that he will grant us the strength to face all obstacles.
Many migrants leave their home countries seeking a better future through working in Lebanon, that some of them consider as the easiest country in the Arab World to access. ยซ In Lebanon, we are allowed to come easily and it is still better than any other Arab countries. We feel more accepted ยป. Unfortunately, their expectations are far from what they imagined at the first place. Brought through agencies, they have to pay around 200$ to enter the host country where they are directly picked up from the airport and sent either to the agency or to the household. Most of the time, they are deprived of their rights, and confronted with abuse and racism. ยซ They kept our passports and put everybody in the same room. They werenโt feeding us. We had to manage everything by ourselves and we stayed like this until we found a job. They would lock the doors in case we ran away, since they had to sell us ยป, told one of them.
The community gathers every Sunday morning at the church in Burj Hammud and brings food, settled on a small table in front of the entrance, that they all share but also sell.
Kafala system
The Kafala system, an adaptation of modern slavery, began in the 1950s, an era of booming economic growth in the Middle East. It is an oppressive system which consists of hiring and controlling migrant workers usually coming from South and South East Asia, and Africa. Brought through agencies from their home countries, the migrant workers need to be sponsored by a citizen from the host country, also known as Kafeel, who will be in charge of their legal status and visa. Therefore, the employer have all the power over the workerโs livelihoods, that often leads to human rights violations, including racism and gender-based violence.
The workers have no safety measures and are not protected by any law against labor abuses. They often feel scared of the consequences if they had to speak up about their living conditions. Often locked at home or walking in the shadow of their Kafeel, they have no say in any of the decisions and have no agencies over their lives. The ones who decide to leave their oppressors, in one way or another, as Sari shares in her testimony, find themselves working illegally in the country. After spending years working โfreelanceโ, these workers are still tied to their sponsor, which means they cannot leave the country without their permission and would be rejected at the airport. After the economic crisis that erupted towards the end of 2019, many migrant women were left on the streets as their employers could not pay them anymore. Despite the contract they both signed, stipulating that the employers have to cover the salary, medication, food and a return plane ticket home, the protection of the migrant domestic workers is not guaranteed. Other rights, such as one-day off or the contact with their family, are most of the time ignored.
โโThere are many girls who are being abused or even killed. They take their passport, they donโt give them food or their salary, no day off, they can barely sleep and are not allowed to go out because they are afraid they would speak up about what is happening. I know a woman, she was locked for 30 years, days and nightsโโ
However, I have met a few migrant women who were still well paid, others who declared being happy and well treated. After numerous conversations, I realized that, even if they werenโt confronted with physical or mental abuse, they are still seen as migrant workers before being seen as women. No matter what, they should follow the system or walk with their head down not to get into any troubles. While one of them said ยซ We come to a new country, this is not our country. We need to know how to behave ourselves to not be facing challenges or being abused by people ยป, another woman shared that she rather stays alone to avoid discrimination outdoors, even if she is free to go out whenever she needs and is not locked inside by her โMadameโ (as they call them and which reminds us of the superior and patronizing approach).
If the Lebanese Ministry of Labor has made proposals to improve labor laws and rights for the migrant domestic workers, they are still on hold, not being judged as a priority amidst all the troubles Lebanon is facing. Despite this lack of interest, a large number of migrant workers, foreigners, and Lebanese people are fighting to abolish the Kafala system, and to raise awareness not only in Lebanon but also the countries participating in this abusive system by sending their citizens through agencies violating human rights.
Whether due to the fear of speaking up, the numerous hours of work they have, or simply their pride, it was not easy for them to share their testimonies. Coming from different backgrounds, from Ethiopia to Sri Lanka, and having experienced opposite situations yet so close and complimentary, their stories and experiences testify the difficulty of their situation, and all the challenges and violations they have to endure.
ูููุฑุง
ูุงุจูุช ูููุฑุง ุตุจุงุญ ููู ุฎู ูุณ ูู ุดุงุฑุน ุงูุญู ุฑุงุ ูุญูู ุณุฃูุชูุง ุฅู ูุงูุช ุชูุฏู ุฃู ุชุดุงุฑููู ูุตุชูุงุ ุฏุนุชูู ูููุงุฆูุง ู ุน ุฃุตุฏูุงุฆูุง ูู ููู ุงูุฃุญุฏ ูู ุงููููุณุฉ ูู ุจุฑุฌ ุญู ูุฏ.
ุฃุตู ุฅูู ุงููููุณุฉ ููุงุฑ ุงูุฃุญุฏ ุนูุฏ ุงูุนุงุดุฑุฉ ูุงููุตู ุตุจุงุญูุง ูุชุณุชูุจููู ูููุฑุง ูุดูููุชูุง ุงููุจุฑู ู ุงุฑูุง ูุฑูุชุง ูุจุงุชุฑูุณูุง ูุฃุบููุณ ูุงูุนุฏูุฏ ู ู ุงููุณุงุก ุงูุฃุฎุฑูุงุช ุงูุขุชูุงุช ู ู ููููุง ุฃู ุณูุฑุงูููู ุฃู ุฅุซููุจูุง ุฃู ููุฌูุฑูุง. ุชูุชูู ุชูู ุงููุณุงุก ูู ุตุจุงุญ ุฃุญุฏ ูู ุงููููุณุฉุ ูุชูุถูู ุณุงุนุงุช ู ุนูุง ูู ุงูุบูุงุก ูุงูุถุญู ูุงูุตูุงุฉ. ูุงูุดูุง ู ูุงุถูุน ู ุฎุชููุฉ ู ุซู ุงูุนูุตุฑูุฉ ูุงูุนู ู ูุงูุฏูู ูุญูุงุชูู ููุณุงุก ู ูุงุฌุฑุงุช ูู ูุจูุงู. ูุนูู ุงูุฑุบู ู ู ูุซุฑุฉ ุงููุตุต ุงูุณูุจูุฉ ุงูุชู ุณู ุนูุงูุง ุณุงุจูุงู ุนู ู ุนุงูุงุฉ ูุณุงุก ู ูุงุฌุฑุงุชุ ูุฅู ูุฐู ุงููุณุงุก ุงููููุงุช ุชุนุทูููุง ุงูุฃู ู ูุชุฐูุฑูุง ุจุฃู ุงูุญุจ ูุงูุฅูู ุงู ูุงููุงู ุฃุญูุงููุง ูู ุญุงุฑุจุฉ ุงูุนูุจุงุช ุงูุชู ููุงุฌููุง. ููุง ู ูุทุน ู ู ุญุฏูุซูุง:
:ูููุฑุง ูู ู ู ุจุฏุฃุช ุงูุญุฏูุซ ุนู ุญูุงุชูุงุ ูุชููู ุจุฎุฌู
โุฃุชูุช ุฅูู ูุจูุงู ู ุน ุฒูุฌู ูุฃููุงุฏูุ ูุง ุดู ุจุฃู ุงููุถุน ูู ูุฐุง ุงูุจูุฏ ุตุนุจุ ุฅูุง ุฃููุง ูุชุฃููู ู ุน ูุฐุง ุงููุงูุนุ ููุญู ู ุคู ููู ุจุฃู ูู ุดูุก ุณูููู ุนูู ู ุง ูุฑุงู ุ ู ูู ุง ูุงูุช ุงูุธุฑูู ูุจุบุถ ุงููุธุฑ ุนู ุง ุชุชุนุฑุถูู ูู ูู ุญูุงุชูุ ุณุชุนุฑููู ุทุฑููู ุฏูู ุงู ูุณูููู ูู ุดูุก ุนูู ู ุง ูุฑุงู ุ ุฏูู ุงูย ย โ
ุฃุชุช ูููุฑุง ู ุน ุฒูุฌูุง ุฅูู ูุจูุงู ู ูุฐ ุฃูุซุฑ ู ู 15 ุนุงู ูุง ุ ุจุชุฃุดูุฑุฉ ุนู ูู ุนุจุฑ ููุงูุฉุ ู ุตุทุญุจุฉู ุงุจูุชุงูุง ุงููุชุงู ุณุฌูุชูู ุง ูู ู ุฏุฑุณุฉ ุจูุซ ุฃููุ ููู ุฑูุถุฉ ุฃุทูุงู ู ุฌุงููุฉ ูุฃุทูุงู ุงูู ูุงุฌุฑูู ูู ุงูุฃุดุฑููุฉ. ุฅูุง ุฃููุง ุงุถุทุฑุช ูุงุญูุงู ุฅูู ุฅุนุงุฏุฉ ุงุจูุชููุง ุฅูู ุฅูุฑูููุง ููุณู ุงุญ ููู ุง ุจุงูุฏุฑุงุณุฉ ูุฐูู ู ุน ุงูููุงุฑ ุงููุธุงู ุงูุชุนููู ู ูู ูุจูุงู ูุงุณุชุญุงูุฉ ุงูุชุณุฌูู ูู ุงูู ุฏุงุฑุณ ุงูุญููู ูุฉ ูุงุฑุชูุงุน ุชูููุฉ ุงูุชุณุฌูู ูู ุงูู ุฏุงุฑุณ ุงูุฎุงุตุฉ. ู ูุฐ ููุงุฉ ุงูุฒูุฌ ูุจู ุจุถุน ุณููุงุชุ ุจุฏุฃุช ูููุฑุง ุฑุญูุฉ ุดุงูุฉ ู ู ุงูุนู ู ุงูู ุถูู ูู ุชุชู ูู ู ู ุฅุนุงูุฉ ุงุจูุชููุง ุ ุงููุชูู ุชุจูุบุงู ู ู ุงูุนู ุฑ ุงูุขู 17 ู 14 ุนุงู ูุงุ ูุฐูู ู ู ุฎูุงู ุงูุนู ู ูู ุนุฏุฉ ูุธุงุฆู ุนูู ู ุฏุงุฑ ุงูุฃุณุจูุน. ุชุฑูู ูููุฑุง: "ู ูุฐ ุฐูู ุงูุญูู ูุฃูุง ุฃุนุงูู. ุงูุฃู ุฑ ุตุนุจ ุจุงููุณุจุฉ ูู ูุญุฏูุ ูุฃูุง ุฃูุงูุญ ู ู ุฃุฌู ุฅุทุนุงู ูู ูููุชุฃูุฏ ู ู ุฃู ูุฏููู ูู ู ุง ูุญุชุงุฌูู ุฅููู ูุฃููู ูุฐูุจูู ุฅูู ุงูู ุฏุฑุณุฉุ ุนูู ุฃูุถูุง ุฅุฑุณุงู ุงูุฃู ูุงู ูู ุดูุฑ ูุฏูุน ุงูุฑุณูู ุงูู ุฏุฑุณูุฉุ ูุงููุถุน ุงูุฑุงูู ูู ูุจูุงู ูุฒูุฏ ุงูุฃู ูุฑ ุตุนูุจุฉู ูุชุนููุฏุงู ุ ูุงูุฑูุงุชุจ ูู ุชุนุฏ ูู ุง ูุงูุช ูู ุงูุณุงุจู".
ุฃู ุง ู ุงุฑูุง ุ ุฃุฎุชูุง ุงููุจุฑู ุงูุชู ุชุนูุด ุฃูุถูุง ูู ูุจูุงู ูุชุถูู: "ูุงู ูุจูุงู ุฌูุฏูุง ุนูุฏู ุง ูุตููุง ุ ูููุง ูุนู ู ูููุจุถ ุฑูุงุชุจูุง ุจุงูุฏููุงุฑ. ุงูุขู ุชุบููุฑุช ุงูุฃูุถุงุน ูุฃุตุจุญ ุงูุจูุฏ ุนูู ูุฐุง ุงููุญูุ ูุนูู ุฌู ูุนูุง ุฐูู ููุง ูู ูููุง ุงูููุงู ุจุดูุก ุญูุงู ูุฐุง ุงููุถุน. ุนูููุง ุฃู ูุชุฃููู ูุนูููุง ุฃู ูููู ุฃูููุงุก. ูุฏููุง ุฃุทูุงู ูุนูููุง ุงูุงุนุชูุงุก ุจูู ูุชุนููู ูู ุ ููุฐุง ู ุง ููู "
ููุงุฌู ุงูุนู ุงู ุงูู ูุงุฌุฑูู ุงูุชู ููุฒ ุงูุนูุตุฑู ูุงูุฅูุตุงุก ู ู ููุงููู ุงูุนู ู ุงููุจูุงููุฉุ ููุฐุง ูุนูู ุฃู ูุคูุงุก ุงููุณุงุก ูุง ูุชู ุชุนู ุจููุณ ุงูุญููู ุงูุชู ูุชู ุชุน ุจูุง ุจุงูู ุงูู ูุงุทููู ูุงูุนู ุงู ุงููุจูุงูููู ููุง ูุญู ููู ุงูุญุตูู ุนูู ุงูุญุฏ ุงูุฃุฏูู ุงููุงูููู ููุฃุฌูุฑุ ูุชุฒูุฏ ุงูุฃุฒู ุฉ ุงูุงูุชุตุงุฏูุฉ ุงูุญุงููุฉ ูู ูุจูุงู ุงูุฃู ูุฑ ุณูุกุงู ู ู ุง ูุชุฑู ุฃุซุฑุงู ูุจูุฑุงู ุนูู ุฑูุงุชุจูู. ุนูู ุณุจูู ุงูู ุซุงูุ ุฃูุถุญุช ุงู ุฑุฃุฉ ู ูุงุฌุฑุฉ ุฃูู ูุชุนูู ุนูู ุงูุนู ุงู ุงูู ุณุชูููู ุงูุชูุงูุถ ุจุงุณุชู ุฑุงุฑ ุนูู ุฃุฌูุฑูู ูุฃุญูุงููุง ูุง ูุฑุบุจ ุงููุงุณ ุญุชู ูู ุฏูุน ุฎู ุณุฉ ุฏููุงุฑุงุช ููุณุงุนุฉ. ููุฐุง ูุฌุนู ุธุฑูููู ุงูู ุนูุดูุฉ ุตุนุจุฉ ููุบุงูุฉ ุฎุตูุตุงู ุนูุฏู ุง ูุชุนูู ุนูููู ุฏูุน ุงูุฅูุฌุงุฑ ููุณุงุฆู ุงูููู ูุงูุทุนุงู ุ ูุชููู: "ุฃูุง ูุง ุฃู ุชูู ููุณ ุงูุญููู ุงูุชู ูุชู ุชุน ุจูุง ุงููุจูุงูููู ุ ููุง ุดูุก ุณูู ุจุงููุณุจุฉ ููุงุ ูุฐู ูุงุญุฏุฉ ู ู ุงูู ุดุงูู ุงูุชู ูู ุฑ ุจูุง ูุญู ุงูุฃุฌุงูุจุ ูุฃูุง ุงู ุฑุฃุฉ ูุง ุฃุนุชู ุฏ ุนูู ุฃู ุดุฎุต ูุนูู ุฃู ุฃุนู ู ุจุฌุฏ ูุฅุนุงูุฉ ููุณู ูุนุงุฆูุชู. ุฃู ุง ูููุฑุง ูุชุถูู: "ู ุดููุฉ ุงูุฏููุงุฑ ูุงูุฃุฒู ุฉ ุงูุงูุชุตุงุฏูุฉ ุชุฌุนู ุงูุฃู ูุฑ ูู ุบุงูุฉ ุงูุตุนูุจุฉุ ุฃู ุง ุงูุนูุตุฑูุฉ ููู ุฃูุถุง ู ู ุงููุถุงูุง ุงูุฑุฆูุณูุฉ ูู ูุจูุงู ููููุง ูุง ูุณู ุญ ููุง ุจุงูุชุฃุซูุฑ ุนูููุง.
ุนูุฏู ุง ุฃุดูุฑ ุฅูู ุญูููุฉ ุฃู ุงููุณุงุก ุงูู ูุงุฌุฑุงุช ููุงุฌูู ูู ุฃุบูุจ ุงูุฃุญูุงู ุณูุก ุงูู ุนุงู ูุฉ ูุงูุนูุตุฑูุฉ ุุชุชุฏุฎู ู ุงุฑูุง ูู ุงูู ุญุงุฏุซุฉ ูุงุฆูุฉู: "ูุง ูู ููู ุชุบููุฑ ุงูุนูููุฉ ุงูุณุงุฆุฏุฉุ ููุง ุณูู ุง ุนูุฏ ุงูุฌูู ุงููุฏูู ุ ููุงู ุจุงูุทุจุน ุฃุดุฎุงุต ุณูุฆูู ููููุง ูุงูุณุชุทูุน ุงูุชุนู ูู ุ ููุฐู ูู ุงูุญุงู ูู ูู ู ูุงู ูููุณ ููุท ูู ูุจูุงู. ูุญู ูุคู ู ุจุงููู ููุนุชูุฏ ุฃูุถูุง ุฃูู ุณูุณุงุนุฏูุง ุฏูู ุงู ุนูู ุชุฎุทู ุงูุนูุจุงุช ุงูุชู ุชูุงุฌููุง"
Photographer & Writer
Laura Menassa
Laura Menassa is a photographer, art director and visual artist based in Beirut. She is also a member of Collectif ูกูขู ู .
Born into an Italian-Lebanese family, Laura found herself in a multicultural environment, raising questions about identity, body image, the notion of territory and time. She uses her camera as a tool to dissect the world around her personal life, to understand our place within the society, to apprehend people and to explore the different facets of life.
Link : https://www.lauramenassa.com/
Translated to Arabic by Khouloud Yassine